Hi. I hope you’ve read my previous post about using a Blueprint for your memoir or fiction story. (If not, you might click on the link.)
Bones of the Blueprint in Review:
- Character’s status quo.
- What happens to change or destroy that?
- How does the character (you in a memoir) try to fix the new challenge?
(Note: For this post, I’ll call our sample main character “Jimmy”)
Okay, so now let’s take this Blueprint concept and apply it on a smaller scale. Instead of the whole story, let’s talk about a blueprint for each chapter within your book-length novel or memoir.
Pull Them In and Don’t Let Them Go!
Let’s say you’ve completed Chapter 1 (rough draft, I presume) where you’ve set up a beginning to your story: Let’s say Jimmy’s camping (status quo). He falls over a steep cliff and is hanging on knowing if he falls he could end up in the ICU at best. This is Jimmy’s status quo: an event that changes Jimmy’s life in some important way which happens immediately—soon enough in Chapter 1 to pull in your readers and keep them interested enough to stick around to find out what happens next. And Jimmy spends the rest of Chapter 1 trying to figure out how to save himself.
A Real Cliffhanger!
Now you’re on to Chapter 2, which begins with a new status quo inherited from Chapter 1. Chapter 2 picks up with the new state of things (new status quo), resulting from the cliffhanger (in Jimmy’s case, literal) events with which Chapter 1 ended.
Now, something else must happen to change that new status quo. (while he’s hanging off the cliff, trying not to let go, an aggressive bird comes by?)
Then, for the rest of Chapter 2 your readers are with your character, chewing their fingernails, wondering how Jimmy will work through this new challenge (that bird, that cliff). (You could also have a subplot running, such as: he just quit smoking and needs a cigarette, but that’s fodder for another blog post.)
Readers will cringe as they picture Jimmy swinging helplessly while his problem gets worse and worse, the harder he tries to solve it (in trying to dissuade the bird, Jimmy manages to attract the aggressive bird’s larger friends?) before Chapter 2 ends with a new cliffhanger.
Compounded Interest (Your Readers’)
And just as Jimmy thought he had Chapter 2’s problem figured out (while dangling by one hand and fishing in his pocket with the other for a cigarette, he finds that easy-open can of tuna he’d brought along and attempts to throw it to the birds?) here comes a new problem, giving Jimmy something new to figure out, only to become even more perplexed and endangered by Chapter 3’s end, thereby further compounding his problem(s).
And from there to Chapter 4, which starts with a new status quo, his now compounded problem (the birds are vegetarians?) brought on from Jimmy’s (failed) attempts in Chapter 3, and on from there. Get the idea? And yes, I feel sorry for your character, which is the whole point, and your readers will, too.
Let Their Dinner Burn!
As each new problem leads to another, with each new status quo being changed or destroyed right before the next chapter, your readers can’t wait to see what’s going to happen next, and will therefore burn their dinners because they couldn’t put your book down. And this is the whole purpose of writing your book—to get otherwise normal, organized people to burn their dinners because they couldn’t put your book down.
Holograms R Us
Each word, sentence, paragraph, and chapter feeds the larger work. As you write each chapter of your book, the blueprint for the larger story of your novel or memoir will begin to take shape—the blueprint for each chapter a microcosm of the macrocosm of the whole book.
Using your blueprint within your chapters, each one will be complete in and of itself with a beginning, middle, and an end. Like holograms, they are perfect reflections of the larger story as a whole, except that at the end of the last chapter of the book your cliffhanger will finally be resolved…
(We’ll miss you, Jimmy). The End.