The KDP Previewer Hates My Paperback, Part 2

The KDP Previewer Hates My Paperback, Part 1.

The self-publishing scene has changed dramatically in the past couple of years. It’s not so easy anymore to upload a file for free without having to jump through fiery hoops that, even when you do jump and get burned, you still don’t get in. More and more, artificial intelligence runs the show, and less and less of anything is done by human beings.

That means there’s no room to step to the left or the right (as in getting around The Previewer) for paperbacks which is why, as I’ve said, even though I do everything KDP tells me, the mighty and powerful Previewer still refuses my paperback manuscript.


Since I’d said I might go with Sweek after my episodes with the dastardly KDP Previewer, I thought I’d do an update. My approach was to first try the eBook version before attempting to upload my novel manuscript in order to sell the printed paperback, which was my point for going to Sweek—to avoid Amazon.

I found out they’re based in Sweden, which could explain the name. I don’t like dealing in Euros and mm’s instead of dollars and inches, though I was willing to give that a shot. But I had to choose from book sizes in mm’s which didn’t convert to 5 x 8 inches. The closest in mm was to 6 x 9, so I reformatted the eBook version of my novel and a cover to fit into it.

Play It Again, Sam

But, as it stands, I don’t think so. I had a terrible time uploading files to Sweek and felt the site was stilted and as if I were in the dark throughout the process. Also, I had to do everything twice before it would “take” for some strange reason. The uploading platform felt very stiff to me, and I kept not knowing if things were going through or not. I wrote to a contact person but I didn’t hear back.

I then deleted the first try and started all over again. Long story. But, unfortunately, it’s a no-go with Sweek. The site is user-unfriendly, at least for me. No easy way to undo anything, and I always felt as if the machine knew something I didn’t (which was true). In the Sweek store it finally showed the title of my book, the price in Euros, and the description, but no cover. After two tries and a lot of lost time, I gave up.

A Long Day Can Feel Like A Month

On my publishing attempt of my eBook on Sweek (I wanted to try it before trying a paperback), it showed my publication date as May 10 (it’s currently October) and the second try was June 10 (well, that day did feel like a month, but…). I finally gave up, though my book is still in there, though the cover still wasn’t showing in the store on last check.

I guess it’s different for everybody. A lot of people must like Sweek; it’s very popular, and if you have that experience, please let me know in the comments. But I’m still operating under the craziness I encountered which I wrote about in my article not long ago entitled The KDP Previewer Hates My Paperback, and don’t have a lot of patience for shenanigans.


My next endeavor to sell eBooks from my website without KDP will be to try Selz, though they don’t print paperbacks, which Sweek does, though after my eBook experience with them, the thought of pursuing a paperback with Sweek will give me nightmares.

Selz is based in Australia. (I wonder if there are any US platforms offering a way around the beasts. Let me know in the comments, please, if you’re aware of any.) Selz is a platform for businesses that offers a way, similar to Sweek, to sell from the business’s own website. Unlike Sweek, Selz doesn’t produce paperback books, but does offer a widget or other options to sell either physical items (which for me will be my paperback), and digital (my eBook). I’ll report back on Selz after I put myself through it.

KDP Still Hates My Paperback

I have since attempted every which way but loose to upload further (edited just for them) PDF files of my paperback manuscript to KDP (which were somehow perfectly fine when I went through CreateSpace two years ago). I readjusted my margins several times to suit KDP. It still won’t accept it.

Then it keeps saying something about they removed some kind of unprintable markup. I wanted to say, “Well if you removed it then what’s the problem?’’ I don’t know what it could be. Lint? What’s an unprintable markup? No explanation. And if the Previewer says it fixed it, then what’s the freaking problem.

It’s beyond human comprehension why my simply formatted novel is ding-ed with countless “errors” by KDP and when I fix them, it acts as if I never did a thing and rejects it all over again. I can almost see its tongue wagging at me as it watches me try over and over and then it rejects the MS yet again and keeps that Approval button grayed out so I can’t bypass it. (see The KDP Previewer Hates My Paperback).

Head(er)s Up

Then I almost capitulated to using the KDP interior template which gives me hives to think about, being locked into something like that, especially from Amazon, but halfway through I said, “No, I can’t do it. Too cookie cutter. Too AI.’’

For example, the headers they put in are author’s name on one side and title on the other, alternating pages, odd and even. But in my manuscript, I did book title on the even pages and chapter title on the odd pages, which of course have to be changed from one chapter to the next and are a real pain to do when you’re setting the book up, and I worked hard to get them just right in my manuscript without the page numbers getting all screwy, but it’s a detail that I prefer (and appreciate in books I read), and am not willing to change it for the KDP Previewer Machine, especially since it won’t approve it afterwards, anyway!

In my frenzy, it also had occurred to me to remove all the headers altogether, but that also would be submitting to the beehive, and I refuse to do it, unless, I get to the point of absolutely no choice, in which case I might just leave it as a PDF, which I’m thinking of doing anyway, cover and all. Why not? Lots of people go that route and it seems just fine with me, a lot less complicated.

My $100 Cover Creator Paperback

So my plan now is to leave my e-book on KDP (I did have to cow-tow to their Cover Creator, as The Previewer lied and said there weren’t enough pixels when the cover I uploaded has more pixels than it requires).

And, as I think I mentioned in Part 1, the KDP Cover Creator now has much more limited choices (fonts, styles, everything) than two years ago, but since it accepted the eBook manuscript, and there are no header or footer issues in an e-book, I went ahead with it, so I can continue to sell the eBook there with the cover I managed to complete on their Cover Creator, which isn’t what I wanted but will have to do if I’m to have an eBook version out there somewhere, until I come up with a better way.

While my eBook is available, my paperback remains unpublished at Amazon, except its title is still there, but with only the old, very first (terrible) cover I made with their Cover Creator. For some reason none of the several covers I’ve experimented with over the past two years, including the most recent, “took” in their AI’s memory. And the original cover remains on Amazon (different from the eBook cover).

But even funnier is that my paperback is on sale for $106.16. Think I’m kidding? Here’s the link: The Archangel of Hamilton Beach. (Clicking on the Kindle box will take you to the current eBook with its Cover Creator cover).

My frustration is that if I had left it at CreateSpace until the time was completely up, I could have made my changes to the interior and cover and re-uploaded while still in CreateSpace and have been done with it, and when KDP switched them over, it would all already be intact. Take this as a warning, which is why I’m writing this. I foolishly made the switch over to KDP at their nudging, not knowing what dangers awaited me. If you have books in CreateSpace, leave them there until you have no choice.

Bad Vibes

I’ll wrap up with an excerpt from an article I found written by a very frustrated artist/writer who did, in her word, a rant about her experience. These lines below are from a very long account she gives about her bad experience with her printed book of artwork with Ingram Spark. This part of her rant (below) hit home with me with what I’ve been feeling about the direction this whole self-publishing thing has taken in just a couple of years, and that it’s getting worse.

Bad IngramSpark Review, I Lost Thousands, Audra Auclair, under “Update 3”:

I have realized that I have a distaste for the book industry. I get some bad vibes from it. I don’t like how publishers treat their writers/illustrators, I don’t like how they draw out payments, they don’t let a lot of writers choose the covers they want, I don’t like how printers work and that could all just be my experiences but I don’t like it.

Short and sweet, right to the point of what I’ve been trying to say. I guess she lost a lot of money and it took 90 days for her to get paid by Ingram Spark. Time for us to wake up from the self-publishing fantasy of “ain’t life grand”, and start looking at what’s really going on.

I Give!

After a lot of research, I finally decided to go with Steuben Press, and pay for some paperbacks to be printed to have as promo and to give out to my writing students and other locals; and I’ll focus on selling the eBook version online.

At least that way I won’t have to wrestle with some unmoving, stuck-on-stupid machine for a well-formatted paperback, or have to pay large amounts of money to “vanity presses”, and I can get the paperbacks the way I like them and maybe even speak to a real, live human being in the process who actually cares about how the book turns out.

Book Ends or Books End? (Except Digital)

Sorry to be a Debbie Downer, but in a word, it’s just no fun anymore. Too many gatekeepers, most of them not human. The squeeze is on. For eBooks, it’s factory time; for paperbacks, it’s bye-bye.

I’m finding in my research that the whole self-publishing industry has gotten much less user-friendly, in fact, more like user-antagonistic in the extreme. I think the traditional publishing giants of the past have joined heads and it’s revenge of the nerds all over again. Only these nerds aren’t cute or funny, they’re treacherous.

While eBooks are going strong (until the gatekeepers change the tune to which we dance), as I said in my previous post The KDP Previewer Hates My Paperback (Part 1), I strongly believe all this “Let’s-make-it-as-difficult-as-possible-to-publish-a-paperback” (especially one from outside the Cookie Cutter) is in line with the push to discontinue the production of paperback books (and hardcover) altogether.

Maybe they’re misguided enough to think they’re saving trees? But trees are the easiest resource to renew (despite all the hype). Just plant new ones. But books can’t be replanted. They’ll just disappear, so all that’s left will be the digital in our kids’ future. Hope the lights don’t go out.

The KDP Previewer Hates My Paperback

Like other self-publishers, I have been bit by the Amazon KDP Monster as it gobbles up CreateSpace which used to be a mostly dignified organization, at least by my experience.  I wouldn’t have switched except the KDP site says CS will be gone in a matter of “weeks” at which time, they will automatically switch my titles over.  So I figured I’d do it myself, and then make the changes I had planned for my novel’s cover and some minor interior text edits, then re-upload the manuscript and cover.

But I was almost in despair after switching over, as I anticipated the upcoming battle with the artificial intelligence that KDP calls THE PREVIEWER.  All of a sudden the text doesn’t fit and there’s a problem w/the font, even while KDP says on its site that it will be “the same printers and the same people” printing the paperbacks as there used to be.  Hmm… So what’s changed?

Can’t Get No Satisfaction

And when I do try to accommodate the changes The Previewer wants, it doesn’t accept any of the adjustments I make to the interior or cover specs for a book that was two years ago accepted by the CreateSpace printers and has been for sale on Amazon as long.  So I wrote and complained.

I then received a long email from KDP quoting directly from their website’s Help pages to tell me what I already knew and had accomplished two years ago, as mentioned.  I could understand if there is a bit of tweaking for the manuscript to now go through a different system, but this is ridiculous.

The Previewer is a Gatekeeper.  You can’t approve your book’s layout online and get a physical paperback proof like you could with CreateSpace, and KDP won’t move forward at all with anything, unless and until the all-powerful Previewer approves and un-grays the Approve button for you the author to finally be able to “approve” it.  

Derek Murphy Nails It

Derek Murphy hit the nail on its head in his article called Kindle Direct Publishing paperback option is (nearly) unusable, stick with Createspace for print on demand”.  

Well, the title says it all but see what he writes (below) about the specs he was attempting to correct (exactly as I was) to satisfy KDP’s online Previewer for a book that, like mine, had already been selling on Amazon.  Murphy says, after giving us a detailed description of his many attempts:

“With the new cover at the right spine width, everything looks good (yeah!) Unfortunately, there are still 28 more errors. [emphasis his]

I can’t approve the file until the previewer says it’s OK, but I’m also not going to waste any more time trying to make the previewer happy. I understand the reason for being picky, but this also means most non-designers won’t survive this process – even if they have more patience that I have.”  (emphasis mine)

Did you get that?  The Great Previewer must approve your book or it’s a no-go, dear author.  And if it doesn’t, the machine grinds down to a halt. 

For a simply formatted 250-page novel like mine to be rejected for more than 20 reasons (like Murphy’s) after it’s been in print for 2 years, and when adjustments are made but not acknowledged by The Previewer as having been made, you come to realize you’re going round and round, until you give up and say (as I did initially), “I’ll just go eBook and forget the paperback altogether.  It’s so much easier.”


So I was grateful when I came across Sweek in my search for an alternative to while there’s still an option for others besides the Monster called Amazon.

Now, I admit I haven’t dealt with Sweek yet, but they offer me hope because through them I can still offer my books both in eBook format and paperback without fighting an unfriendly artificial intelligence, bent on killing my paperback, and sell them via my website and other venues. 

Sweek’s gotten a high rating in reviews: by Vikas Singh and by the Alliance for Independent Authors.

So, before I grapple with an unflinching robot, I’m preparing to sign up with Sweek and offer my books, present and future for sale from my website. 

Ain’t No Sunshine When Paper’s Gone

Do I sound foolishly dramatic?  Maybe, but I fear that the way the paper newspapers are disappearing across the lands is the same way the non-eBook publishers will eventually disappear.  Digital is where it’s at, baby.  And pretty soon it’s going to be the only place it’s at.  And with the press of a button (or the loss of electricity) it can all disappear.  Reading Kindle by candlelight will only last as long as the battery.

Digital is great for lots of reasons, but should we lose all paper-bound books and be without a choice, it will become a dark world indeed.  And even if Amazon is pushing toward digital-only, it should have some respect for those of us who still value the good old paperback.  As it gobbles up CreateSpace, I wish KDP would empathize with us in this big switch and keep the publishing process at least as easy as it’s been with CreateSpace instead of turning it into something impossibly cumbersome.

New Class 8-28-18 through 11-6-18

“Writing is revision” — I think it was Hemingway who said that, and that’s what my latest writing class is about.  Rewriting is what separates the men from the boys and the women from the girls in the world of writing. Ask any author, though lots of writers moan a lot when I remind them of this.  They’d prefer to write something, set it aside, then write something else.  :- )

I’m happy to say I am starting a 10-week Let’s Write! writing/editing class at the Finley Community Center in Santa Rosa, CA, Tuesday 8/28/18 through 11/6/18 (with a week off in between), 2 to 4 pm.  Registration will be open until Sept 4th as a courtesy of the Finley Center, since they had the class times listed incorrectly for about a month.

It will be a departure from my usual classes and more advanced in that in the other classes I taught writing and edited the students’ work; but in this class, I will focus on teaching the art of editing, with the students editing their own work at home in between classes, using what they’ve learned, and hopefully saved in their notes, during each of the 2-hour classes.

While in class, students will pair up and edit each other’s work each week, and I myself will take turns in each group throughout the 10 weeks for hands-on direct editing of their projects.

When we’re finished, those who wish to will submit their manuscripts for publication to a Let’s Write! Anthology (main title is yet to be determined). Then, as editor, if the piece is publication-ready without too much editing necessary on my part, I will include it in the anthology.  Of course, each writer keeps all rights to his or her own work and remains free to publish it whenever they like.

And even if a piece is deemed not publication-ready, or if the student decides he or she would rather not publish, the 10 weeks will still be invaluable time spent, gathering experience editing their own work, which a real writer must learn to do.  

Even if a writer hires a professional editor such as myself to fine-tune his work, a manuscript which needs editing on too basic a level will either be denied, or the writer will be charged a much higher fee than normal. So this is an important and necessary skill for every writer to learn and, as with piano lessons or baseball, practice makes perfect.  :- )